Login / Register | Shopping Cart | First Time? |
|
||||||||||||||||||||||||||||
Side A) Tinga Stewart - No Drugs Side B) Echo Minott - Trouble Nobody |
|||
|
|||
Both sides released on single for first time. |
|||
|
|||
|
|||
|
|||
|
|||
Side A) Pad Anthony - Gotta Be Strong Side B) King Jammy - Gotta Be Strong Version |
|||
|
|||
Another wicked vocal from Pad Anthony of the Jammys posse. |
|||
|
|||
|
|||
|
|||
|
|||
Side A) Gregory Isaacs - Steal A Little Love Side B) King Jammy - Steal A Little Love Version |
|||
|
|||
Cool Ruler a.k.a. |
|||
|
|||
|
|||
|
|||
|
|||
Side A) Al Campbell - Don't Take Your Gun To Town Side B) King Jammy - Don't Take Your Gun To Town Version |
|||
|
|||
Slightly different cut to “Jack Slick” originally released on Live & Love 12” only, this Al Campbell vocal is highly refined and soulful deploring the use of guns and its consequences. |
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
Previously unreleased material from Frankie Wilmott recorded straight from the master tape. Known for his 80's classics such as "Sensimilla" and "Money Gone Down The Drain", Frankie has been passionately supported from Dancehall fans across the globe. "Why Won't You Come" features a tight rhythm based around the warm bassline and Frankie's sensitive vocal excellently resonate throughout the track. |
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
Dancehall expert Pad Anthony left so many hit tunes for Jammy at the golden age of the label in the 80’s. “Ruff A Them” is a slightly Roots orientated killer rhythm with a twinkle of Jammy’s Dancehall essence to it. Pad Anthony going right in showcasing his dazzling melody sense. |
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
Ever since his career bean in the early 80’s, the veteran Pad Anthony has always played an important role at frontline of the Dancehall music even to date. This previously unreleased material has only been heard on dubplates and Dub Store Records is proud to finally reissue this gem. Soulful vocal and Jammy’s trademark melancholic digital rhythm is just a combination that never seem to fail. |
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
Another cut to his "Hard Sound Fe Dead" (DSR-LJU-002) included in the first batch of our Jammys unreleased series, Prince Junior's "Raggamuffin" has an impressive refrain and is a straight up sound tune. His rub a dub vocal also really fits in! |
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
As well as the classic "Youthman Vibration" album under his Noel Phillips alias, Echo Minott has recorded a numerous big tunes for Jammys from the early 80's roots era. Another previously unreleased "On My Way" features melancholic guitar sounds while basslines pumping on the one drop feeling beats. Echo Minott totally nails this 80’s roots with his characteristic melodies. |
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
A previously unreleased material from Leroy Brown, who has been active since the roots era. The rhythm of this killer is a digital remake of "Wicked Can't Run Away" - identical to Eccleton Jarret's "Rock Them One By One" also recorded for Jammy in the 80's |
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
A hidden gem from the "out of key" virtuoso, King Kong. Recorded for Jammys in the 80's, after being buried for nearly 30 years it's finally seeing the light of day! King Kong's ironic lyrics riding on the rugged bassline and heavyweight one drop rhythm. |
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
Yet another killer on an identical rhythm to "Super Black - Rock Them (DSR-LJU7-06)" from our Jammys unreleased series. Prince Junior's lugubrious vocal perfectly in tune with Jammy's archetypal minor chord digital rhythm. |
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
You won't be able to tell much about Jammy"Sleng Teng" success, this is the unreleased version recorded direct from the master tape. |
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
Killer digital from one of the iconic figures of the 80's dancehall, Nitty Gritty recorded straight from the master tape. Refined out of key virtuoso stands out on a melancholic heavy weight rhythm. |
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
King Everal - Things Going To Happen Out of all Jammy's gigantic catalogue, “E20” rhythm could be considered as one of the most destructive ones to date. Jammy found the unreleased track on this rhythm from the vault featuring a familiar face of the 80's dancehall, King Everal melancholy singing this killer! |
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
Digital remake of the charismatic roots reggae artist Yabby You a.k.a. Jesus Dread’s representative rhythm of the same name. King Everal rides on smoothly on waves of the rolling bass. An astonishing previously unreleased material! |
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
It's a previously unreleased take of "One In A Million", one of the most prominent Jammy's dancehall classics by Half Pint. Matching the two existing cuts, this crucial version also features a fat bassline and the heavy one drop sound. |
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
Featuring Leroy Brown, a roots singer who recorded a number of hit tunes back in the 70's, also used to play the guitar and sing |
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
Another unreleased title from one of the popular dancehall artists of the 80’s, Super Black who is also known for his contribution for Jammys. Representing the sounds of Jammys at the time, this refined digital rhythm is built in minor chord with absolute simplicity, creating an excellent chemistry with the melancholic vocal. |
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
Exclusive piece on a heavy weight digital remake of the “Cuss Cuss” rhythm. With the firing Jammys iconic bass lines on this tough rhythm, Prince Junior tops it showing off his rough performance in Rub a Dub style with an intonation. |
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
Known for hits like “Rock Them One By One” and “Turn On The Heat”, this is a previously unreleased Eccleton Jarret piece for his stronghold, Jammys. Seems rather restrained but singing superbly on this energetic yet melodious “Tonight”-ish rhythm that was also adopted for “Rasta People” by Junior Delgado. |
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
Another unreleased rare material only heard on dubplates previously. Jammy’s iconic heavy bassline and melodious instrumentals in minor scale represent his production style from around 87’. Super Black sorrowfully sings man’s pure heart in this lover’s dancehall tune. |
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
Previously unreleased material from Prince Junior – known for his killer digital hit “Crucial Boy” produced by Jammy. Taking in the essence of the aboriginal roots flavor along with Jammy’s rugged bassline, it makes up the melancholic digital roots music. Prince Junior approaches this sound killer forcibly and directly, yet sings up softly to showcase his low-keyed performance skills. |
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
You might have seen Jammy playing this devastating sound killer in sessions lately, although before that this Nitty Gritty on Jammy’s ‘Tempo’ has only been heard on dubplates. |
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
Sampling one of the greatest classics Black Uhuru left for Jammy’s, the remarkable roots revival tune is finally out on vinyl. Dominating the recent rasta revival movement, Cronixx sings freely bringing new life to the rhythm with his strong message. Representing the excellent side of reggae music of taking lessons from the past. |
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
An unreleased track recorded for Jammy by the veteran Michael Rose who has been active at the forefront of reggae music since roots era to date. Just like his other hit tunes, the exceptional melody sense with tough yet sexy voice on remake of the ever glorious Yabby You’s “King Pharaoh’s Plague”, naturally absorbs every listener from start. |
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
As a member of Black Uhuru, the grammy awarded Michael Rose reveals another unreleased material. Faithfully arranged by King Jammy, the rhythm is based on Horace Andy - Jah Is The One which was recorded in his classic “Pure Ranking”. Melancholic steppers rhythm with Rose’ iconic singing will surely touch your heart.。 |
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
Even after releasing the legendary “Sleng Teng” rhythm, King Jammy continued to produce hits after hits such as “Punnany”, “Duck” and many more. There is no doubt that he was at the top of the digital dancehall scene back then. Although he had put out an uncountable number of releases towards the end of the 80’s, this is one of the popular and rare tunes among record collectors. Beautifully sang in falset by Cornell Campbell on this melancholic digital rhythm makes it an excellent masterpiece. |
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
It is impossible not to mention Admiral Tibet when talking about Jammy’s golden digital era in the 80’s. With hits like “Running From Reality” and “Reality Time”, this is indeed another killer piece he recorded for Jammy. Working in combination with a jaunty rhythm with rough and tough bassline, the vocal instantly becomes prominent with its unforgettable chorus bringing even more drive to the music. When listening to the version on the flip, there is a great appreciation for utter simplicity in how Jammy builds his rhythms. |
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
Nothing happens without Chuck Turner on those Jammy’s melancholic digital rhythms. Although his compatibility is easily proven on tunes like “We Rule Dancehall” and “Run Around Girl”, this piece sits on top of everything. With his pleasantly different falset voice, Chuck Turner soulfully sings on this exquisite rhythm with significant melody. This brilliant music has even got a slight feeling of a modern piece - that is exactly when you realise the Jammy’s magic touch. |
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
Originally started as The Renegades onto The Classics, one of the most prominent vocal groups, Wailing Souls have been keeping it authentic since the 60’s. Although they did not record that many at the digital dancehall era this one has been well received since day. Having both roots and dancehall elements is one of the key factors of King Jammy’s sound and this one remains as a masterpiece with the sorrow vocals by Wailing Souls. On the flip an enormously rare Wackad – Cry For The Youth who only released a few tracks from the late 80’s and early 90’s. Previously this can only be heard as a part of the compilation “King Jammy: A Man & His Music vol.1”. |
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
Coupling tracks by two of the most lamented and legendary artists who both recorded great albums for Jammy. For some reason Jammy’s magic makes Dennis Brown’s vocal sounds so much better and this heavy digital remake of the Studio One classic, “Swing Easy” is just another example. It is also known as the same rhythm track for King Everal – Bad Girls. On the B-side, riding on the heavy tensional track, the charismatic vocalist from the 80’s, Nitty Gritty presents a smoky vocal warning all the soundboy out there. |
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
The "Digital Revolution" occurred in the Jamaican music industry by a single rhythm called "Sleng Teng". The responsible person for the rhythm was King Jammy who was the owner and producer of the Jammys label. The label dominated the scene between year 1985-1989 and released vast numbers of material. Dub Store Records compiles the best of the 80's heavyweight Dancehall from the Jammys catalogue. The collection consists of "Disc One: Vocals & Jeejay" and "Disc Two: Instrumental Dub Version". Each disc features popular songs and instrumental dub versions on "Hevenless", "Love Punanny Bad" and "Far East" rhythm. They also include rare collector's tunes like Anthony Johnson's 'Dancehall Vibes' and some of them are first time to appear on CD. This selection is crucial for all Dancehall lovers. |
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
'The Exit' by Dennis Brown is a tough song on a classic dancehall rhythm 'Screechie Across The Border', which often regarded as one of the best 80's dancehall rhythms. Comparing to its original – 'Screechie Across The Border' by Courtney Melody, it sounds a little less dynamic but the reconstructed rhythm based on pensive minor chords perfectly matches to the singer's profound vocal and lyrics.
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
Wayne Simth unexpectedly appeared on the top of dancehall scene with Jammys' monster rhythm 'Sleng Teng' in the mid 80's at one burst. Hardcore dancehall fans will recognize this song 'My Lord My God' on 'Screechie Across The Border' rhythm is one of the most popular songs within his Jammys' catalogue.
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
It is well-known that Wayne Smith, who was deeply associated with Jammys in production of 'Sleng Teng' rhythm, was an essential individual to embrace the Digital Revolution for Reggae / Jamaican musical history. Its tough baseline that symbolized Jammys' real sound work and young Wayne Smith's high key voice, both elements perfectly fused together to create another killer tune.
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
Tonto Irie recorded many songs on popular Jammys' rhythms as one of demanded deejays at that time. 'Life Story' was on side B of 12inch vinyl - "Wayne Smith - Icky All Over" on Greensleeves label. You might notice that this song on 'Sleng Teng' rhythm was specially edited and arranged just only for Tonto Irie's performance.
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
Wayne Smith scored numerous hits at Jammys and one well known is 'Under Mi Sleng Teng'. He also released same title album 'Under Mi Sleng Teng' where he showcased wavy & choppy 'E20' and crisp & clear song 'In Thing' on further computerized [Barrington Levy - Come] rhythm.
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
Robert Lee was also one of demanded singers at Jammys because of his musical characteristic - 'Out of Key' style. Here King Tubby produced 'Tempo' rhythm was rearranged by Jammys and it allowed Robert Lee to perform calmly with his aggressive lyrical expression for creating another killer song.
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
Among rhythms produced in 80's dancehall scene, 'Sleng Teng' by King Jammy and Firehouse produced 'Tempo' are considerably the most respected; however, you can never forget 'Stalag' rhythm by Winston Riley lead Techniques, too. King Jammy reproduced this 'Stalag' rhythm with Sly & Robbie and in result, it created shadier atmosphere in comparison to the original Techniques' version. This is certainly another anthem of Jammys!
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
Nitty Gritty output his hit songs like 'Hog In A Minty' and 'Run Down The World' at Jammys and he had chemistry with minor chord digital rhythms. 'Good Morning Teacher' on 'Stalag' rhythm is a superb song showcases his unique vocal style and lyrics.
|
|||
|
|||
|
|||
|
|||
|
|||
|
||||
|
||||
Junior Marvin is apparently more known for his 70's work but he continued his career while dancehall period and released album 'Apartheid' at Jammys. This heavy weight dancehall song 'Jack Slick' was on the album and released on 12" single vinyl. On side B, 'Dancehall Vibes' by Anthony Johnson on the same rhythm with different arrangements was only released on 12" single vinyl.
|
||||
|
||||
|
||||
|
||||
|
||||
|
|||
|
|||
Jam Down Posse' by Red Dragon was recorded on Studio One classic rhythm 'Far East', people might find familiar with famous hit song 'Tune In' by Cocoa Tea. King Jammy released two one-way albums on this rhythm and featured many singers/deejays. This song by Red Dragon is from one of those albums and one of the best songs on this rhythm.
|
|||
|
|||
|
|||
|
|||
|
|||
|
||||
|
||||
Robert Lee and Bunny General adopted the phrase of a classic song 'Midnight Hour' by Sivertones in their combination song 'Midnight House'. The original press was only available by 12" single vinyl on Unity label.
|
||||
|
||||
|
||||
|
||||
|
||||
|
|||
|
|||
Now veteran deejay Kirk Davis who started his career as Little Kirk back in the 80's, since then he has been on his move. Known for his major songs: 'Screechie Across The Border' and 'Ghetto People Broke', also one of those is 'Don't Touch The Crack'. A tough digital steppers cut.
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
'Rock Them One By One' is a King Jammys' digital remake on 70's classic roots tune 'Wicked Can't Run Away' by Glen Richards. Its version is very detailed to its original but still a tough digital dancehall cut. Eccleton Jarrett's delicate vocal stands out proudly.
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
Chuck Turner has recorded his impressive songs at Jammys such as 'I Need You' and 'Run Around Girl'. 'We Rule The Dancehall' is one of those and this tough steppers rhythm was build by notable Steelie & Clivie. His melancholy voice is something very contrary to his aggressive lyrics but that's something it makes this record attractive.
|
|||
|
|||
|
|||
|
|||
|
|||
|
||||
|
||||
'Love Light Of Mine'by Horace Andy and 'Ready For Your Loving' by Frankie Paul were both on their King Jammy produced album 'Haul And Jack Up' and 'Sara' repeatedly. Both songs were recorded on its original rhythm 'Chuck Turner - We Rule The Dancehall'. Those two veteran artists showcase their long time calm vocal skills on this bouncy dancehall rhythm to make those recordings quite tough.
|
||||
|
||||
|
||||
|
||||
|
||||
|
|||
|
|||
Tonto Irie left some impressive titles within Jammys catalogue. 'General A General' was recorded on 'African Beat' rhythm, which was versioned many times with regardless of musical generations. This newly build digital rhythm kept its original form and Tonto Irie showcased his old school lyrical flow in a Raggamuffin way.
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
In the late 80's, not only Jammys but also many labels tried to score some hits by remake of a foundation rhythm 'Heavenless'. Among Jammys catalogue on this rhythm, 'We Gonna Rock It Tonight (Dub Plate Playing)' by Johnny Osbourne is known as the most popular number. Often hear sound systems playing this dub plates.
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
In the period of Jammays golden era, Chaka Demus was a prolific artist among others like Admiral Bailey. At this time, Bobby Digital, who was often regarded as the right-hand man of King Jammy, had a popular 'Peanie Peanie' rhythm. 'Original Kuff' was recorded on this rhythm, which can be characterized by its minor chord baseline and choppy riffs and there Chaka Demus performs his catchy lyrics and melody smoothly.
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
'Love Punanny Bad' rhythm is might be less hard-driven than 'Duck' or 'Punanny'rhythm; however, Steelie & Clive has reconstructed the rhythm perfectly in Raggaamuffin way. This 'Love Me Stylee' is another popular song by Robert Lee.
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
'Ram Dance Man' by Leslie Thunder is another song on popular rhythm 'Love Punanny Bad'. One of the most sought after records by dancehall fans. You can never miss her real explosive Raggamuffin style on this cheerful rhythm track. |
|||
|
|||
|
|||
|
|||
|
|||
-------------- Related Items --------------- |
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
|
|||
-------------- Related Page -------------- |
King Jammys Special |
King Jammys 45rpm Releases Part2 |
Copyright © 2024 Dub Store Sound Inc. |